arteperformativa: REST ENERGY (WITH ULAY), 1980PERFORMANCE4 MIN. 10 SEC. ROSE ‘80,  DUBLIN Together we hold a taut bowand a poised arrow. The weight of our bodiesputs tension on the bow. The arrow is pointed atMarina’s heart. Small microphones are attachedto both our hearts recording theincreasing number of heartbeats. 
cotonblanc: At Martin Margiela, the lining is the dress. Visionaire 1: Spring: Premiere Issue
restit: NanoProject NO.1 Day1 2003 
vroomheid: Martin Margiela autumn / winter 1990-91 We leave the interpretation of our work to others. As for ‘couture’, we have always shown handmade garments as part of our ‘artisanal’ collection (line 0) where we rework/transform vintage and used garments of many varied époques to form unique pieces that are made available to our customers around the world. Though certainly not to be considered ‘haute-couture’ as it is understood today – our artisanal production can maintain certain crafts involved in the production of hand made individual garments that have been alive for many centuries and that are difficult to keep within the industrial methods of clothing manufacture today. Garments in motion, ronald stoops, antwerp studio voice, martin margiela, july 1998
sanna-helena-berger: hamish wearing raf simons 1998  sanna helena berger
vuls: Alexandra Ranner
mariacarlabosscono: “Works in Bed,” photographed by Mark Borthwick for Very Magazine #8 2000
petrole: rei kawakubo ReFUSING FASHION exhibition, ph. by corine smith, 2008
kian0538: DAMIR DOMA Women’s Pre Fall 2012 boots featured in the July 2012 issue of WALLPAPER* Magazine (UK).
american-idolatry: i-D October 2000
ebaybae: rowena sartin
spring1999: carmen kass and erin o’connor at paco rabanne s/s 1999